![]() ![]() If you set your story in present day in a normal town or city, then there’s no need to include SETTING, as the reader will assume it.The Killogator formula works best if you write the SETTING, PROTAGONIST, PROBLEM, ANTAGONIST, CONFLICT and GOAL down separately first, before trying to combine them into a sentence.In a (SETTING) a (PROTAGONIST) has a (PROBLEM) caused by (an ANTAGONIST) and (faces CONFLICT) as they try to (achieve a GOAL). This diet book will show you how to lose belly fat and change your life in 10 weeks.įor decades I have referenced Graeme Shimmin's Killogator Logline Formula ![]() The most simple one is possibly the best. My rule - make it simple enough for an eight year old to grasp. In some books this can sit on your cover, but it most certainly will go on your proposal. How do you squish your 80 000+ word masterpiece into one line? Find the keywords. I don’t think publishers and agents count the number of words I think they want to understand the core story in one sentence. Some people claim that loglines should be less than 25 words. These are hard as hell to write, but they are critical elements that will go on your book pitch. It is similar to an “elevator pitch” in which you sum up your entire book (or story) in one sentence. This is a concept that has trickled through from movies but is commonplace now in book publishing. You are going to write a LOGLINE for your book. You are about to shift from writer into sales person. This is when you finally lift your head up from the editing, writing and rewriting into a whole new phase in the journey of becoming an author. But once the book is written (and that can take a decade) you need to change gear. This is part of the writing process that comes long after you have sweated those drafts out. Well no, most people want to grasp an idea in a second, and chose if they want to engage more with it or not. Why don't they get it? Can't they read the proposal? ![]() 'I am confused, what is it actually about?" But most often we leave this to the end when your agent (or friend) yet again says. You can start your entire book with a logline - which is also actually a premise. ![]()
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